Fall Festival 2022
We invite you to celebrate Appalachian heritage at our 46th Fall Festival, featuring a wide variety of craftspeople, continuous live music and dance, craft demonstrations, good food, and much more! Saturday & Sunday, October 1 & 2, 2022 10 a.m. to 5 p.m..
Sunday, September 25, 2022
FALL MEANS FESTIVALS IN THE MOUNTAINS
Fall Festival 2022
Sunday, September 4, 2022
Self doubt and second guessing
I received the notification for a workshop at Warren Wilson in late July
with the fiction workshop being taught by Tommy Hays. I want to go but
I'm truly lacking in confidence. I'm always afraid my work won't match
up with the other writers and so I hold back. I know Tommy Hays is good
and he's pretty sharp. Do you HONESTLY think I would do alright there? I
do have to submit a short story or the first chapter of my novella that
I'm working on as part of a collection. I guess I'm just asking you for
a pep talk. What do you think? Will he be way over my head?
Glenda Beall wrote:
Nancy, you don't have any reason to be afraid. Your writing is
excellent and you have had many stories published. I was afraid the
first time I signed on for a master class at NCWN Fall conference with
Kay Byer. But when I got there, I found most of the writers were no
better than I was.
And I can tell you Tommy Hays is just another writer with the same fears
and worries all writers have about their work. Don't hold back, Nancy.
I know you will do well and you'll enjoy it. That is the most important part - you'll enjoy it.
If you spend time comparing yourself to other writers or worrying
about what they think of your work, you'll do yourself a disservice by
not taking the opportunity to study with this writer. I am so glad I
took the master class with Kay Byer. Now that I know her so well, I
realize she, like you and me, is not always confident and
self-assured. I'm sure Tommy Hays is the same.
Go for it, Girl! You will be fine.
I want to hear all about the workshop.
Wednesday, August 17, 2022
"Its been a good life, not a high life, but it is my life."
Take a weekend class with Darnell Arnoult at JCCFS
Creative Nonfiction in a Flash
Tuesday, August 16, 2022
First and Only Ski trip
|Snowmass Colorado - ski resort|
By Glenda Council Beall
He poses, hip cocked in red and blue,
sun-glistened face of Eros turned to me,
a fledgling atop the icy slope. My
breath quickens in foolish adoration
at the sound of my name from his mouth.
Knees bent, I push on poles and slide
down to him, past him, racing for the edge.
Sit down, Glenda! My legs collapse,
long shoes shoot sidewise. I try to rise,
but can't. He twirls, zips toward me,
digs in. You know a mogul is a South
Georgia girl who falls and can't get up.
He laughs, his teeth like sparkling icicles.
Giddy Aspen air heliums my brain,
overflows my heart that dances in triple time.
He yanks me up, skims powder to the lift.
At sea level, snow dreams
melt into arrogant soap bubbles
as his smiling face yellows
on a faded brochure beneath my ski apparel.
|skiers in Colorado but I am not one of them|
Saturday, August 13, 2022
LET ME INTRODUCE YOU TO DANA WILDSMITH
Do you want to hear both sides of the border issue? Dana Wildsmith teaches English as a second language to immigrants to this country. She takes us inside the hearts and minds of those who struggle to make it to the United States and safety from the dangers in their homelands.
We hear so much talk of building walls along our borders to keep people out but seldom do we hear the migrants' stories that accompany such dangerous journeys--like the vulnerability of giving up your child to a stranger, the tragedy of dying in the desert, or the constant fear of getting caught. Dana Wildsmith's Jumping captures the experiences of what happens when "illegals" try to cross into the United States, "jumping" the border.
Cesar, the main character, is especially powerfully portrayed with his humor, intelligence, and desire to provide a better life for his family. Read this novel for a good story, for a better understanding of our neighbors, and to know what it means to be human.
Dana Wildsmith’s writing has its roots in literal soil: the earth of the old farm she works to keep alive, as documented in her collection of poems, One Good Hand, and through her environmental memoir, Back to Abnormal, or along the desert sands of our southern border, as told in her novel, Jumping, a story which grew from Wildsmith’s work as a teacher of English Literacy to non-native speakers.
Tuesday, July 5, 2022
A Poet I cannot stop reading - Scott Owens
Saturday, July 2, 2022
Learn what writers need to know from Kristen Lamb
The rules, like the component parts of what we call a ‘car’, assisted in the experience. I—me, personally—knew every character in my story. I’d created them, knew their backstories, their secrets, their issues. I had cried when they suffered, laughed at their witty dialogue, glowed with pride when they finally found true love or whatever.
The problem was, while I knew and understood ALL these things, the reader didn’t.
.....So today, we will focus on POV, since most newbies have no clue what it is, how to use it or even that POV is the core way readers ‘follow’ our story. We need to understand what makes sense to them on an intuitive level (as in BRAIN STRUCTURE stuff).
Point of View
Through which character’s perspective is the reader experiencing the story? I have an oldie but goodie post of Point of View and why POV Prostitution (a.k.a. head-hopping) is bad for those who want further explication beyond what I’m giving here.
POV is the most fundamental ‘writing rule’ we must understand if we want readers to not only want to set out on a journey but finish it and love the experience. We must ‘follow the reader’ in that we need to think through their perspective, not just ours.
How is the reader being fed information? What details are important? Who’s story is it? Why is this a story worth money, time, and attention?
Writing Rules for First Person:
Uses the pronouns ‘I/me/mine/my’ and is the most psychologically intimate of the perspectives. This is why it’s been a super popular choice for the social media generation who’s used to being all up in someone’s biz.
First-Person breaks into two camps: The I Remember When and the Come Along with Me. Other than beating the hell out of the pronoun, ‘I’, this is where most writers will run into trouble."
I advise my memoir students to write in first-person point of view. After all, if I am writing about my life, I am the narrator so the reader must be in my head as he/she reads my stories. I want to tell the reader what I remember and how it made me feel. I can't tell you what another remembers or how the events made them feel unless I interview that other person. Then I can tell you what he/she said about the events.
Kristen Lamb has a huge following and she teaches writing classes. Check out her blog and website. You might find that she can help you with your writing.