This weekend was good medicine for me.

Gay and I drove up to the mountains and I attended a poetry workshop lead by Rosemary Royston. After the class ended, some of us had lunch together at the Sundance Grill on Main Street in Hiawassee, GA.

In our NCWN-West local group, Murphy and Hayesville NC and in Young Harris and Hiawassee, GA we have two poetry critique groups, and three meetings for readings and Open Mic. I am told we have too many writers' events each month and some cannot attend them all. I understand, and no one is expected to attend them all. I couldn't when I lived there. We have a very active group of writers who have been successful in publishing, and we have many eager new writers who feel very welcome and happy to be a part of this mountain program.

You might notice our one man in the photo above. David Plunkett is our publicity coordinator and we held the workshop Saturday at his office in Hiawassee. He is a very important person who is always willing to volunteer and help when needed.

On the left in the photo is Carroll Taylor who is the Georgia Representative for NCWN-West, and she holds an online gathering each month for writers, Mountain Wordsmiths on Zoom. She is one of the people I depend on, who works well with me, and helps keep our program working. She welcomes writers and those who just want to listen to poems and stories. Contact her and she will send the link so you can join us.

In the back of the photo, in pink, is one of the original members, excellent poet, Janice Moore. She and Nancy Simpson, poet and teacher, led our early poetry critique groups in the 90s. 

Others in the photo are on the right, Lorraine Bennett, Rosemary Royston, and Mary Ricketson. On the left side, next to Carroll, is Donna Beal, who treated Gay and me to dinner, and Cynthia Francis. All of these folks write poetry or novels. 

Out of the photo, my sister, Gay sat beside me as I made the photos. Without my dear sister, I could not have been with my old friends at this time. She enjoyed them, she said, and I know they all think the world of her.

I am inspired to get my writing out of my computer and submitted to publishers in the coming weeks. Wish me luck.

Thanks for stopping by. Let me hear from you in the comments or elsewhere.

Stay safe in this hot, hot weather, and keep your pets safe, also. The heat and hot pavement is bad for our pups.

Glenda Beall, 

co-author of Paws, Claws, Hooves, Feathers and Fins

Author of Now Might as Well be Then.

gcbmoountaingirl@gmail.com

Poetry Class with Rosemary Royston

Rosemary Royston

NCWN-West is holding a poetry workshop with outstanding poet, Rosemary Royston, author of several books. She teaches annually at the John C. Campbell Folk School in their writing program. To learn more about Rosemary, Google Rosemary Royston poet. She holds an MFA in Writing from Spalding University. Read some of her poetry here.

Rosemary’s chapbook, Splitting the Soil, is available through Finishing Line Press and Amazon.

I have known Rosemary for many years. 

She was a member of the North Carolina Writers' Network. She served as Program Coordinator for NCWN-West. 

Visit her new website: https://www.stitchandstories.com/general-1

We always had a full class when Rosemary taught at Writers Circle around the Table, my studio in Hayesville. 

I like this description of Rosemary's book, Second Sight:

Rosemary Royston’s poems speak in the tongues of rural folks in a way that only a linguistical conjurer could have managed. She takes her readers on a tour through Appalachia and its cultures—showing the reader creek bottoms, retold Garden of Eden stories, and her grandmother’s medicine cabinet. Royston is an eloquent wordsmith who tenderly crafts each word, each line, and each stanza. This collection of Royston’s is honest, timely, and beautiful. It is a love letter to Appalachia and rural people everywhere who often don’t get their stories told in such a powerful and compassionate manner.

If you write poetry, no matter what level, you will enjoy and learn from taking this class. 

Location: 355 Main St. N, Suite C, Hiawassee, GA 30582

Date and time: July 26, 2025  - 10:00 AM- 12:00 

Registration: Fee: $40  For registration information contact gcbmountaingirl@gmail.com 

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Have you read Murder on Edisto? A good mystery.

C.Hope Clark is author of two successful mystery series. She began as a free lance writer and also began with her Funds for Writers Newsletters. In today's edition she gave us some good things to ponder as writers. 

Visit here to read her articles.

One of Hope's series is set on Edisto Island, South Carolina. I enjoyed Murder on Edisto. Clark's female main character has lost her husband to a vicious killer and she is doing her best to protect her teenage son. Murder follows her as she goes back to what she thinks is a safe place. If you like mysteries, you will like this one. I relate to books set in the south. But the story is one any mystery readers will enjoy.

C. Hope Clark is the Keynote Speaker for A Day for Writers, a one day conference to be held in Sylva, NC, August 24, sponsored by North Carolina Writers' Network West. 

The Best Way to Hold a Critique Group

I attended the NCWN-West prose group at Tri-County Community College for the first time in quite a few months. This group meets monthly and has a good group of writers participating. Bob Grove is the facilitator. Some of those present were former students at Writers Circle Around the Table or my ICL classes. I love it when I see how much they have progressed. 

One of my writing classes

I also like the way those present encouraged each other. Compliments flew around the table and it was obvious that this group of seven not only gave constructive criticism, but gave each other positive ideas and suggestions. 
"This is the best thing you have written," one person told another.
Having heard and read each other's work for some time, it doesn't surprise me that they see improvement. The best part is that everyone is accepting critique and ways to improve.

I usually write memoir, but tonight I took a short story I had written a long time ago. I am not famous for my fiction, but have had some success in publishing a story or two. When I began seriously writing when I was in my twenties, I took a course in writing fiction. I never shared the story I wrote in that class with anyone other than my instructor. Now, I have the bug to write more short stories, and I will take them to this group for their helpful input. 

No matter how long and how often we write, it helps to have others read our work. They see what we can't see in our writing. To be a part of a critique group, one must be prepared to hear what others think and see in his work. 

I do wish this group was reminded of the manner in which critique works best. I, and others who were in this group twenty years ago, learned from Nancy Simpson the best way and the way many graduate studies teach critique. 

The facilitator tells the group that they must first go around the table and say what they like about the prose they just heard. Then they talk about what might make the story better, what they didn't understand or wanted to know more about.

In this manner of critique which is best, the reader stays completely quiet. He just listens to what the others say until everyone has spoken. At that time, the facilitator asks the reader if he wants to say anything. When critique is done this way, no one speaks directly to the reader. The reader doesn't become defensive or feel he has to explain himself.

An example of the wrong way:
The reader finishes his story and waits for the critique to begin. The first thing he hears is a direct criticism. "You changed point of view a couple of times," said someone in the group. She spoke to the reader directly instead of speaking to the group in general.

Immediately the reader feels he must say something, defend his work or explain his writing. 
He says something back and the room grows quiet. The atmosphere changes. Tension grows. 

The best way is to never say, YOU should do this or YOU did that. Beginning a sentence with you is often the way to turn someone completely off.

If the critique was done correctly, the first thing he would have heard is, "I like his characterization in this piece." Later he might hear, "He changed point of view a couple of times."  Then the reader would not become defensive. He would not have to defend himself since the words were not directed toward him.

After everyone has spoken about this story, the person in charge would say, "Do you have anything you want to say about what you heard?"
At that point the reader can speak or not. It is up to him.

It is a great way to critique and it never made anyone uncomfortable. When I was new to NCWN-West, I was scared to death to let anyone see my work. But Nancy Simpson, our facilitator of poetry and Richard Argo, who led the prose group, Carol Crawford and later Janice Moore kept to those rules of critique, and I never had my feelings hurt or felt attacked by someone telling me I must do that or I had done something wrong.  

When the critique was done, I felt gratitude for those who spoke about my work. I made notes as they talked and later I might change or revise using the suggestions I had heard. 

The leader of the group can make this work well. 

If several members of the group say to a reader "You need to do this or I don't understand what you are saying" the poor reader feels he has to defend himself and feels he is being attacked. That should never happen in a good critique group. It slows down the progress of the critique and doesn't really accomplish much.  

I want to attend this prose group again and I hope the suggestions I made here can be put in place for future meetings. 

What do you think about attending a critique group?