Accepting what is to come
Monday, March 21, 2022
Great small writers' conference near me
Poetry Month - April
If you've already registered, thank you! If not, registration is open at https://nam12.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.ncwriters.org%2F&data=04%7C01%7C%7C83297dd6d3ae421963c908da0b85ac60%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637834965998917244%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=FIoBCTyoeewUA2yKALjNo6pfXOr4BEZw3EHcgS2H9i4%3D&reserved=0.
Poets can choose from the following course options:
Public, Private, and Poetic Place with CHARMAINE CADEAU
Filmmaker Peter Greenaway stated, “I’ve always been fascinated by maps and cartography. A map tells you where you’ve been, where you are, and where you’re going—in a sense, it’s three tenses in one.” This generative writing workshop focuses on exploring our literal and conceptual worlds. How might a poem map a geographical place? A memory? A body? Using exercises that play with the idea of mapping, participants will draft new work that explores real and imagined places.
Born in Toronto, Charmaine Cadeau now lives in Lewisville. She is an English professor at High Point University, where she teaches creative writing and literature and serves as the advisor for Apogee Magazine. She has published two full-length collections of poetry, What You Used to Wear (Goose Lane Editions) and Placeholder (Brick Books), the most recent of which won the Brockman Campbell Book Award and the ReLit Award. Her newest book, Skytale, was handmade with the support of JackPine Press.
Talking the Talk (poetry) with STUART DISCHELL
This class, open to poets at all levels of skill and experience, will focus on the use of dialogue as a strategic device in poetry.
Stuart Dischell is the author of Good Hope Road (Viking), a National Poetry Series Selection, Evenings & Avenues (Penguin), Dig Safe (Penguin), Backwards Days (Penguin), Standing on Z (Unicorn), Children with Enemies (Chicago), and the forthcoming The Lookout Man (Chicago). A recipient of awards from the NEA, the North Carolina Arts Council, the Ledig-Rowohlt Foundation. and the John Simon Guggenheim Foundation, he is the Class of 1952 Excellence Professor in the MFA Program in Creative Writing at the University of North Carolina Greensboro.
Finally, LAURA MULLEN will lead the Master Class in Poetry, "River of Time and Art."
We feel ourselves to float now, precariously, uncertainly, in a river of time that seems rapid, forceful, and unruly—it’s all too easy to fear we’ll be thrown out of the boat and submerged. “Poetry,” writes Joy Harjo in her memoir Poet Warrior, “is a tool to navigate transformation.” What better way to move through these straits than with(in) art? This workshop will be generative, there will be exercises and prompts, productive of new poetry, and then (looking at previous work) will also offer strategies for revision, grounded in a recognition of your singular and special powers, with a focus on self-awareness and self-acceptance, as we learn to go with the creative flow and move fearlessly toward the wide open.
Potential Master Class attendees must apply to be admitted; a few spots remain. Each registrant should be ready to handle the intensive instruction and atmosphere of the Master Class.
Laura Mullen is the author of eight books; recognitions for her poetry include a National Endowment for the Arts Fellowship and a Rona Jaffe Award. Recent poems have appeared in Fence, Together in a Sudden Strangeness, and Bettering American Poetry. Her translation of Veronique Pittolo's Hero was published by Black Square Editions, and her translation of work by Stephanie Chaillou has just appeared in Interim. A collection of poems is forthcoming from Solid Objects Press in 2023. She teaches at Wake Forest University.
Spring Conference is a full day of courses and programming on the craft and business of writing, offering both on-site (in-person) and online sessions. North Carolina Literary Hall of Fame inductee Carole Boston Weatherford will give the Keynote Address. Other sessions include faculty readings, open mics, and the popular Slush Pile Live, where a panel of editors gives feedback on anonymous submissions in front of a live audience!
The online track offers several options for writers in all genres. Online registrants also will be able to watch livestreams of the Keynote Address, Faculty Readings, and Slush Pile Live!, and participate in an online-only Open Mic.
Register here: https://nam12.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.ncwriters.org%2F&data=04%7C01%7C%7C83297dd6d3ae421963c908da0b85ac60%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637834965998917244%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=FIoBCTyoeewUA2yKALjNo6pfXOr4BEZw3EHcgS2H9i4%3D&reserved=0.
Manage Your Subscription:
https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fapp.icontact.com%2Ficp%2Fmmail-mprofile.php%3Fr%3D11387037%26l%3D19357%26s%3DX7PH%26m%3D1365466%26c%3D240123&data=04%7C01%7C%7C83297dd6d3ae421963c908da0b85ac60%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637834965998917244%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=%2BDexh7NgYJltnyqvl74kklwqNOikVt%2FK%2F5dt1yERAqI%3D&reserved=0
This message was sent to glendabeall@msn.com from calendar@ncwriters.org
The North Carolina Writers' Network
North Carolina Writers' Network
North Carolina Writers' Network
PO Box 21591
Winston-Salem, NC 27120
Tuesday, March 15, 2022
I'm Back
A reader wrote to ask if I was well since I have not blogged in a while. To explain my absence, I have to say that this has been an awful year for me. I had COVID in January and my brother died in February. Meanwhile, I am dealing with lots of post COVID problems. I hate to write when I have nothing positive or helpful for my readers.
Also during these times, I am trying to learn how to live in two places. I have spent most of the time in Roswell,GA where my sister lives. I am grateful I was with her when I had the virus in January of this year. Although I had all my vaccine shots and a booster and although I was careful to wear a mask when in public, I caught it at a restaurant where none of the staff wore masks and others did not either. They say that masks are about 85% successful in keeping the virus from escaping into the air. So masks would have helped.
The fatigue I am having now keeps me from doing many things I want to do. However, my work has helped me with my grief. Keeping busy with something I enjoy has always been a good way for me to get through the worst of mourning. I try not to dwell on my sorrow for long, but I still cry when I think of my brother and realize he will never call me on the phone again. He will never sing his songs or tell his stories. It makes no difference that he was in his nineties or that we all knew it was going to be soon. When we lose someone we love, we miss them and that makes us sad. There is no shame in that and it should be accepted by others who care for us.
I am in Hayesville this week, back to my mountain home that I love. Every day is filled with either a doctor's appointment, a hair appointment, or getting my taxes to the CPA. Cloudy day in the mountains
Time passes so quickly and with the time change that has just occurred, I find my days seem shorter. My body did not recognize a time change. It is still on the one it was used to.
The cold weather here with snow has shut down the early spring we were enjoying. My forsythia looks damaged and the pear trees that were a beautiful white are now yellow. Japanese magnolias that were blooming so pretty a few weeks ago are done for now.
As I prepare for my writing class I will teach for the Carl Sandburg home historic site, I am amazed at the large number of people who have registered. I hope I feel well and am at my best for this class.
I hope you, my dear friends, are having good weather and enjoying good health as we anticipate the next season in our lives.
Thursday, February 10, 2022
Virtual Writing Workshop Tuesday, March 22, 7:00 - 9:00 EST
| Glenda Council Beall |
Each of us has a unique life story. While our children and grandchildren show little interest now in our past, there will come a time when they will be thankful we wrote down and preserved our history. Many times we hear someone, after losing a father or mother, say, "I wish I had asked more questions. I wish I knew more about my parents' lives." We will discuss how to decide what to write and how to write it so it will be read and appreciated.
Glenda Council Beall, a Georgia native, lives in Hayesville, NC, where she is the owner and director of 'Writers Circle Around the Table', a studio that provides education for writers. She also taught writing in the continuing education department at Tri-County Community College in Murphy, NC. and presently teaches online for the Institute of Continuing Learning at Young Harris College, Young Harris, Georgia.
She became interested in Genealogy in the early nineties and compiled a family history book, Profiles and Pedigrees, The Descendants of Thomas Charles Council (1858-1911) which chronicles the lives of her grandfather and his ten children who were born in the late 19th century.
Her poems have appeared in numerous journals including Wild Goose Poetry Review, Appalachian Heritage, Main Street Rag, Journal of Kentucky Studies, Dead Mule School of Southern Literature, Red Owl Magazine and in the anthologies, Kakalak – Anthology of Carolina Poets, 2009, 2011 Poetry Hickory, Future Cycle, Lights in the Mountains, Women’s Places Women’s Spaces, On Our Own, Widowhood for Smarties, From Freckles to Wrinkles, and Reach of Song published by the Georgia Poetry Society. Her poetry chapbook Now Might as Well be Then, published by Finishing Line Press, is available at City Lights Bookstore in Sylva, NC. In 2018, she co-authored a collection of short stories, poems, articles and photos in Paws, Claws, Hooves, Feathers and Fins; Family Pets and God's Other Creatures available at the following places: City Lights Books in Sylva, NC, Tiger's in Hayesville, NC and on Amazon in the Kindle store.
Her short stories and personal essays have been published in the online journals, Muscadine Lines; A Southern Journal, Dead Mule School of Southern Literature, and 234journal, and in the anthologies, Echoes Across the Blue Ridge and Cup of Comfort for Horse Lovers. Several of her poems and essays have appeared in Living with Loss Magazine, Breath and Shadow, and Reunions Magazine.
She is a member of the NC Writers Network, the Georgia Poetry Society, The Byron Herbert Reece Society, and the North Carolina Poetry Society. Read more about Glenda on her two personal blogs, Writing Life Stories with Glenda Beall, Writers Circle Around the Table, http://www.glendacouncilbeall.com/ and on Blue Heaven Press.
Saturday, February 5, 2022
Writers continue to meet in Glenda' s Studio in 2022
Tuesday, March 22, 2022
T
This workshop is open to writers of all skill levels and is a fun way to find inspiration from a new prompt or revise current work. It is hosted by the Friends of Carl Sandburg at Connemara and will use Zoom for the virtual connection.
Each of us has a unique life story. While our children and grandchildren show little interest now in our past, there will come a time when they will be thankful we wrote down and preserved our history. Many times we hear someone, after losing a father or mother, say, "I wish I had asked more questions. I wish I knew more about my parents' lives." We will discuss how to decide what to write and how to write it so it will be read and appreciated.
Thursday, January 27, 2022
The biggest reason people don't write?
Feb 2020, my backyard. Has nothing to do with this blog post, but we do expect snow tomorrow.
What keeps people from writing? Fear.
For many, putting our thoughts and words on paper is
terrifying. It is like pulling your heart out of your chest, handing it over to
someone, and saying, “Do whatever you want with it. Smash it in the ground if
you want. Throw it in the trash, chop it into little pieces and throw it away.
But I hope you will love it and treat it with tenderness.”
Writing is a personal experience and not everyone can do
it. Fear of what others might say about us and our writing is one of the
largest challenges we face. We also have doubts about ourselves. I can’t
really write. I’m not that good. Who am I to think I can write anything others
would want to read?
I am sure that everyone who has written and shared what
they wrote, had those self-doubts. We all second-guess ourselves. I know I have,
and I still do at times. I have a short story I wrote 25 years ago, printed it
out, edited it to death, and only let one person read it. I thought it was
pretty good. But the one person who read it, when asked what she thought, said,
“It was interesting, but I knew who was going to be the guilty one before you
ever got to that last part.”
Why did that bring up all my self-doubts? Why did I put
that story away with the promise that one day I would revise it and submit it?
As writers we pour our hearts and souls into each poem, short story, non-fiction,
or novel, and we never feel quite sure it will be accepted by readers.
Years ago, Kathryn Stripling Byer,
the first female poet laureate of North Carolina, who had published many poetry
books, won all kinds of awards, told me something I have remembered till this
day. “No matter how many books I have published,” she said. “Each new
manuscript I send to LSU Press (her press for many years) makes me as nervous
as the first one I submitted. There is no guarantee they will like this one.
There is no guarantee that it won’t be rejected.”
I was dumbfounded. I thought
with her reputation and all the praise and outpouring of respect and love for
her, she would be completely confident that anything she submitted would be
grabbed up with joy. But, in the long run, no matter how famous, how many
laurels one wins, we all still put on our pants one leg at the time the same as
everyone else.
The words she confided in me made a huge difference in my
thinking about what success is in the writing world. Although that short story
I wrote twenty-five years ago has not seen the light of day, I am going to
include it in my short story collection that I hope to submit or have published
this year. In fact, I am digging back into my early writing and finding poems
that I feared were not good enough to submit and including them in my next chapbook.
We must put fear behind us and realize that
rejections are not personal indictments against us or our writing.
Editors have many reasons why they choose what they will
publish. One of my poems, The Peach, was chosen for a literary journal
simply because it brought back a memory to the editor. He said when he read it,
he remembered how his mother would whip him with a peach tree switch when he
was a little boy. He did not say the poem was good and he did not choose it
because of its literary merit. He chose it because it brought back a memory from
his childhood.
I learned not to count my rejections. Why
should I? I count only the acceptances
of my work. We don’t need or want to crow about our latest rejection, do
we? But we shout out loud about the latest poem, short story or book
acceptance. And we should.
We talked today on Mountain Wordsmiths about how
we can promote our work during this pandemic. Book signings are scary for me,
although some authors are out there meeting the people face to face. I am
delighted that we have Zoom and can meet new people, share our work, and sell
our books even though it is much harder to sell a book online.
I think we must stop counting the number of books sold at
an event, and look at marketing our name, our faces and personalities online. I
am not a huge social media person. I don’t have a smart phone welded to my hand
and am annoyed by those who do. But, as a writer in today’s world, you must
have a social media identity either on Facebook, Twitter, Instagram or others.
I use Facebook as my social media outlet. I tried others, but just don’t want
to take the time to scroll through them all the time.
Did you know that scrolling is now considered as addictive
as smoking once was? Someone dear to me admitted recently that she was afraid
she was addicted to scrolling. What is it that hooks folks?
Anyway, if it helps promote your writing, you must take
time for social media marketing every day. I post on three blogs and that has
built me an audience in three countries – not big, but enough it satisfies me.
I adore my blogger friends who always leave comments on my posts. I do the same
for them.
The point of it all is we need and want to connect with others.
When we share our writing, we feel a need to have someone validate us, read,
and give us feedback that will encourage us without putting us down. We need to
know where we could improve our work, but we don’t need someone insinuating we
have no hope. Encourage and critique with kindness is the best way to help a
writer. I know that because my mentor and teachers, Nancy Simpson and Carol
Crawford did that for me.
In our discussion today on Zoom, the majority of us
agreed that if only one person has benefited from our writing, we are a
success. That is why our readers can make us very happy if they email or call
as someone did today to tell me how much she has enjoyed Paws, Claws, Hooves, Feathers and Fins; Family Pets and God’s other Creatures. I don’t know if she bought it
on Kindle, as a used book at the library, or purchased a brand-new paperback from
Tigers in Hayesville, she made my day.
Monday, January 17, 2022
Discovering Writers whose work I want to read
Recently while having time to scan places and people on the Internet that I had not visited before, I came upon this interview with Jill McCorkle, an author from North Carolina who is considered one of the best southern writers. She has published four short story collections and six novels, five of which were New York Times Notable Books. Her stories have been anthologized in Best American Short Stories, New Stories from the South, and the Norton Anthology of Short Fiction.

